Writing is not always fun. There are times when it’s downright taxing. Various authors have compared the process to cutting veins and bleeding onto the page. Certainly everyone has had the feeling of being discouraged, of thinking that the words are flappy, the sentiments trite, the whole thing a complete waste of time. Many writers get so stuck in the morass that they can’t get our, and so they write word after every begrudging word with any joy at all.
Often this happens when a writer gets stuck on one particular story. I have often seen it happen that a writer will carry around a story for a decade. He will work on nothing else. He is going to finish it if it kills him. He submits the same story over and over and over again to be critiqued. Although I suggest politely that he move on and write something else he can’t. He has to tell this story. But now he hates it, and quite honestly, I hate it. I’ve critiqued the character, the plot, and the dialogue.
I suspect this is even more likely to happen to novelists than to short-story writers, because we’re more likely to put big chunks of time into a novel. Certainly it’s harder to walk away from something you’ve spent four years working on. That was how long I worked on my novel, Courting Disaster. It was the story of a woman who gets engaged 17 times and then falls in love with a man named Chuck Jones. My novel was a finalist for a number of prestigious literary awards, got a lot of agent and editorial attention, but after four years of writing, rewriting and submitting, no one wanted it. I was depressed, to put it mildly I was also discouraged at the prospect of having to write a whole new book.
But I did. I wrote a book about a woman who teaches a fiction class, and I began to feel something I hadn’t felt n a while: excitement. At one point, as I was trying to figure out who the students were in the writing class, I realized that my old friend Chuck Jones, would be perfect. I had been obsessed by this character, and I was delighted to move him over to my new novel. The Fiction Class was, in fact, published by Plume, a division of Penguin. Often when I’m at book clubs, people will come up to me and tell me how much they like Chuck jones, and I always feel like that’s a tribute to the beleaguered part of me that struggled so hard to get a foothold in this business.
Don’t be afraid to start something new, if this is what you need to keep going. Start a new story. Take what you’ve learned and apply it somewhere else. But don’t give up the joy that brought you into this insane profession in the first place.
<div style=”font-size: 8px;”>Original by Susan Breen</div>