“I told you nothing is coming out my mouth, Lucas.” The Captain of Interpol sat down at his desk, swiveling around to face Lucas, the reporter for the Stockholm Gazette.
“Captain, you must tell me who is twenty. He is world-famous, and he doesn’t work for you and Interpol. I think the man could get away with murder as popular as he is now.”
“No one is above the law, not even Twenty,” the Captain said.
“Come on, give me something to put in my story. I’ll be sure Interpol gets all the credit.” Lucas pulled his note pad out of his pocket along with a pen and posed himself ready to write down what the Captain said.
“I don’t know anything more than you do. I got my knowledge from the Commissioner. You are wasting your time. You’ll have to find yourself another source.”
“There is another question for you, Captain, and it has nothing to do with Twenty. Answer it for me, and I’ll go away. Lucas had his pen ready to write.
The Captain straightened out in his chair and put both hands together on top of his desk. “Okay, ask your question and then get out.”
Lucas smiled as he looked at the Captain. “You are a lead Captain at this joint. Why did they put you in this shitty office?”
Looking around the room, the Captain chuckled. “This room is not bad; I’ve had worse. It’s everything I need: my desk, computer, printer and a couple of bookshelves. There is even artwork on the wall. That tapestry came out of my ancestral castle in Scotland. Just because it doesn’t look like it came of HQ Magazine doesn’t mean it isn’t a great office. Now, if there is nothing else, I want to get to work.”
“You didn’t answer my question completely,” Lucas stated.
“What did I leave out?”
“Why were you put in here when I know the other offices are professionally decorated.” Lucas swung his arm around in a circle indicating the entire office.
“They put me in here because I asked them to. It’s what I wanted. Now get the hell out of here and let me work.” The Captain smiled as Lucas stood.
“I know this is not your style, so something else is behind you having this office.”
“Lucas Arnold, if you do not leave this second, I will make you pay.”
“Now, now, dad, don’t get your Jockeys all twisted. I’m going. Thanks for letting me talk to you,” Lucas said. He opened the door and stepped out. He was sure to close it behind himself.
The Captain wanted to be sure Lucas left the building before he spoke. “All right, Twenty, you can come out now.”
The tapestry fluttered and then pushed out into the room. A man with jet black hair and baby blue eyes stepped out from behind. He had females panting after him as if they were in heat. “That secret room is a godsend for people like me who wants to keep hidden.”
“That’s all well and good, Twenty, but what do you have to report?” The Captain asked.
“The only thing I found out for certain is the Russian Prime Minister flew to the Seychelles to meet with the Vice President of America once a month for the past six months. Something big is in the works, but I don’t know what yet,” Twenty said.
“You have to go to the Seychelles and stay till you find out what is going on,” the Captain said.
“Are you sure you want me to stay. I think I should follow the Prime Minister. Especially since I’m already established in Russia.”
“You can follow him if you want, but you be on that island whenever there is a meeting. Do I make myself clear?”
“Yes, loud and clear. I’m to play the part of a spy instead of an assassin. Maybe you can change my nickname from Twenty to Killer.”
“That will never happen, Twenty. Your job is whatever I tell you to do. You’ve assassinated twenty world leaders over the years without any questions. You’re excellent on the job, and there won’t be any changes to your name.”
“Well, Twenty is a great number. I’ll leave now and get back to my dull life of bookkeeper for Putin.”
“Goodbye, Twenty, and please leave by the same route you came in.”
This is a Flash Fiction story from my book Shirley’s Shorts and Flashes. A book of short stories with genres from romance to the supernatural. There is something for everyone to enjoy. amzn.to/15HB87j I hope you enjoy this little piece. It’s something beside Covid-19.
by Shirley McLain 4245 Words
The bed was empty, but Amada knew it wouldn,t be empty long. Jasper would be sure she met her quota for the day. This endless, meaningless sex was not what she had planned for her life. If it weren’t for my asshole stepfather and spineless mother, my life would be different. I couldn’t stay there and let him continue to use me. My mother didn’t believe me when I told her what was happening. I think she knew, but she didn’t want to stay by herself. She let that creep stay around, so I didn’t. I’ve learned how to take care of myself, and she could’ve learned also.
The sheets on the bed were changed and Amanda took a quick shower. She felt little of the filth on her was washed down the drain. She was just getting out of the shower when the doorbell rang. She knew it would be her next customer. With the towel wrapped around her body, she opened the door.
What a surprise, there was a child about six years old standing at her door.
“Hi there, what can I do for you, sweetie?”
“Are you Amanda?”
“Yes, my name is Amanda.”
The child reached into her pocket and pulled out an envelope and handed it to Amanda. Amanda’s name was written across the front of the envelope in an unfamiliar handwriting.
“What is your name, Darling?”
“It’s Annie Lynn.” The child kept shifting from one foot to another, looking around.
“Well, Annie Lynn who brought you here? Come in so I can close the door. Standing in the doorway in a towel doesn’t look too good. So how did you get here?”
“I was put in a taxi and the driver was told to bring me to this address.”
“Where are your parents?”
“I don’t have any. I lived with my Nanna until two weeks ago, when she died. I stayed with a friend of hers until today, and she sent me here.”
“Let me read this letter, and maybe it will tell me why you were sent to my door.” Amanda opened the letter and started reading:
Dear Amanda Thomas, you do not know me, but I was a friend of Frances Jones, who was the adopted grandmother of Annie Lynn. This is going to come as a shock to you, but Annie Lynn is your daughter who you adopted out at birth. She no longer has any living relatives. Before Frances died, she told me to contact Mr. Andrew Paul, her attorney when she died. I did as I was requested to do and was mailed a letter, with instructions only to read it when Frances died. I received the letter two days ago. I was informed you were Annie Lynn’s mother and your address. I was also instructed to send Annie Lynn to you. That is what I have done. Enclosed you will find the birth certificate showing you are Annie’s mother and no known father.
at the Don’t bother trying to find me, because you won’t. The child did not know me, and I do not live within two thousand miles. Annie is a sweet girl, so take loving care of her. You are all she has. “Annie Lynn, do you know why you are here?” “Nanna’s friend said I would be living with you from now on. “I can’t explain everything right now, but I will explain as soon as I can. Right now, let’s put your suitcase in the bedroom, and I’ll get dressed, so we can get something to eat.” Amanda knew she’d to get out of her house before the next john showed up. She had to be able to think and decide what to do. She couldn’t believe someone could just send a little girl to a stranger. I guess I did that very thing when I gave her up for adoption. Amanda quickly dressed in a pair of blue jeans, tee-shirt, and tennis shoes. She and Annie Lynn caught the subway to Amanda’s favorite Italian restaurant. “Do you like spaghetti, Annie? It’s one of my most favorite things to eat.” “It’s my most favorite thing. I like it with garlic bread. Can I have bread with it?” “Certainly, I’m going to have some myself, along with some big fat meatballs.” Annie didn’t talk much. She would answer a question when asked, but otherwise, she sat and looked at Amanda. Amanda smiled at her and tried to make lighthearted talk, but Anne Lynn didn’t want to engage in conversation. “Tell me about your parents, and Grandmother, Annie.” “My Nanna told me my mama and daddy were in a car wreck and went to see Jesus. I was just a baby. I stayed with my Nanna, and that’s all I know. I do have a picture of them that Nanna gave me. My mama was pretty. She had dark brown hair like mine, and it was long too, just like mine.” “I’m sure she was because you certainly are. I think you and I aren’t staying at my house tonight. We are going to buy a pair of PJ’s and a toothbrush and then we are going to a hotel. I think we will have an adventure tonight since we are getting to know each other. What do you think of that idea?” “Ok, whatever you want to do.” Amanda knew she couldn’t go back to her house because of Jasper. He would be waiting for her, and there is no telling what he would do. It wouldn’t matter in the least if there were a child around. She couldn’t have Annie hurt. They finished their meal and made their way back to the subway. Amanda knew of a hotel they could stay at that Jasper knew nothing about. It would give her time to think and decide what to do. They got off at the mall entrance and walked to JC Penny’s buying clothes for the next day and some PJ’s. They went on to CVS Pharmacy and bought toothbrushes and toothpaste. They were ready for the night. They got back on the subway and rode to the station closest to the Twin Towers Memorial. She had a friend who lived in China town. Ming owned a small hotel. She would give Amanda and Annie a room for as long as needed. Ming had once been one of Jasper’s girls, but she got lucky and was able to get away from the business. She went home to her family, who accepted her back with open arms. The hotel once belonged to her parents, but since their death, it’s hers. Amanda opened the front door to the hotel, stepped into the small lobby with Annie right on her heels. Ming was sitting at the desk looking at a magazine. When she looked up and recognized Amanda, she immediately ran out with open arms to hug Amanda. “Hi Ming, How are you doing?” It’s so good to see you again, my friend.” “This is a surprise, Amanda. I am so glad to see you. Who is this pretty young lady?” “This is Annie Lynn; she is living with me now. I’m wondering if you could put me up for a couple of days. I have to make some decisions, and I need a quiet place to think.” “You didn’t even need to ask. Let me take you to a room with two beds. We need time to talk a little later. I am on the night shift tonight, so just give me a call anytime. She took a key off the hook behind the desk and walked them to the elevator. You are on the third floor in 312. It is one door down from the elevator on the right.” “Thanks, Ming, you don’t know how much this means to me. I can’t thank you enough.” “You don’t have to, that is what being a friend is all about. I will talk to you later.” Amanda and Annie Lynn found their room without any problem. It was nice and clean with two queen size beds plus a microwave, refrigerator, and coffee pot. “We will have a fabulous time camping out here and getting to know one another. Are you tired, Annie? It has been a busy day for you. Let’s get you a bath and put your PJs. Then we can watch some TV until you get sleepy.” Annie Lynn went into the bathroom and started running water for her bath. Amanda made sure she had a towel and washcloth. Annie climbed in the tub and tried to lean back, but she was too small to hit the back of the tub. Amanda laughed and turned the water off and handed her the bar of soap. “Let me know when you want me to wash your back. I’m going to be watching TV while you are in the tub. Amanda left the door open to the bathroom and sat down on her bed. She took her cell phone out of her purse. She had twenty-four messages. “I’m not even going to look at these things. I am sure most of them are from Jasper, wanting to know where I’m. This is the end of that life for me.” All of the messages disappeared with a push of a button, and she felt relieved not to have to deal with Jasper anymore. Annie Lynn finished her bath, and Amanda helped her dry off. After Annie put her PJ’s on, they both laid down on one of the beds and started watching Finding Nemo on the TV. Annie Lynn seemed to enjoy watching it. Amanda couldn’t keep her mind on the TV. She kept running the words from the letter repeatedly in her mind that this child was hers. Amanda never thought she’d see her again. She remembered seeing the little, tiny bundle held in front of her, right after delivery. How small her hands were, and her large dark eyes were trying to focus in the light. Then they left with her, and that was it. She never saw her daughter again. She left the hospital two days later and went to her friend’s house. That friend was the one who introduced her to Jasper. After her recovery from giving birth, things started to change at the friend’s house. It got so bad she couldn’t stay there anymore. Jasper was there to take her to his place, and she could stay there. I was a sixteen-year-old girl who’d just given her baby away, was abused at home, felt unloved, and unwanted. Besides that, I didn’t have a choice without money. One thing led to another, and Amanda finally started turning tricks for Jasper, to keep him from beating her. Over the last six years, she’s made a lot of money. She gave Jasper what he thought his cut was, but he didn’t know what the john’s were paying her. She saved enough money so that she could support her and Annie Lynn for a long time. She could go back to school to get her education. Annie Lynn had drifted off to sleep. Amanda left the bathroom light on, turned the TV down low, and went to the lobby to talk to Ming. “Hey, Ming, can you talk now?” “Sure, come on behind the desk and sit down. I appreciate the company. I was beginning to get sleepy. Let me get us a cup of coffee. It has been a while since you and I have gotten to visit.” Ming walked over to the counter in the breakfast area and fixed two cups of coffee. When she sat down again, she turned and looked at Amanda. “Why are you here, Amanda?” “Ming, Annie is my daughter. I had her adopted out at birth, but the adopted family is now dead. She arrived back to me today. I can’t go back to the life I had. I have to decide what I’m going to do. I have a lot of money saved in an account Jasper doesn’t know about, so I don’t have to worry about money.” “If you had money, why did you continue that life?” “What else was I going to do? I couldn’t go back home, and turning tricks is what I know. I was making a substantial amount of money, and most of the time, I wasn’t unhappy. I just need time to think about what I want to do now.” “You know you are welcome to stay here as long as you need to. Jasper might be in New Jersey, but you know as well as I do if he wants to find you, he will.” “Yes, I know Ming. I won’t be here but a couple of days. By then, I’ll know where I’m going. I do appreciate your help.” “I told you before, that is what friends are for.” “I’m going to go back up to the room. I don’t want Annie Lynn waking up and not finding me there. I will talk to you tomorrow.” Amanda went back to the room, and Annie was still sleeping soundly. She put on her PJ’s and turned off the TV and bathroom light and crawled into bed. She wasn’t sure if she would be able to go to sleep or not. She tossed and turned most of the night. She kept running everything over in her mind and trying to decide what to take. The clock on the bedside table showed three A.M. when she finally drifted off to sleep. She then started dreaming of her mother and father. Amanda’s eyes popped open at eight the next morning. Annie was sitting up in bed with the TV playing on low and was watching cartoons. “Good morning,” Amanda said. “Did you sleep well?” Annie just looked at her and nodded her head up and down. “How about we get dressed and go get up some breakfast. Do you want to do that?” “Sure, I like pancakes.” “Then the pancakes it will be. I’ll find out the address of the nearest IHOP (International House of Pancakes). They make a great pancake breakfast. I hope you have a large appetite.” They got up and got dressed, brushed their teeth, and headed downstairs. Ming was just getting ready to go off duty. “Good morning, Ming. I hope your night went all right. Where is the nearest IHOP? We want a pancake breakfast this morning”. They got the directions they needed and left the hotel. It was a beautiful day with a bright blue sky and warm sunshine. The IHOP was not far, so they walked and enjoyed the sun. Amanda chatted away while they walked, but Annie Lynn was quiet. Amanda was hoping as Annie gets to know her, she would open up a little bit. Stop pressuring yourself, Amanda; this is only her second day with you. Give her time to adjust. They had a fabulous breakfast and walked down to the waterfront to watch the boats coming and going. As they sat on a bench looking out at the water, Amanda had the urge to talk to her mother. She took out her cell phone; looked the ringer was turned off, so it couldn’t disturb her or Annie. She had twenty messages. She deleted every one of them without listening to the first sound. She hoped her mother would be living in the same house, and that ass she was married to wouldn’t be home during the day. She dialed the number she remembered. The phone began to ring. After the fourth ring, Amanda was about to hang up when a female voice said, “hello.” “Hello, I would like to speak to Martha James, please.” “This is Martha James, how can I help you?” “Amanda felt this lump begin in her throat. She wasn’t sure she could speak. “Mama, its Amanda.” She could hear her mother scream, “Oh my precious girl. Where are you? How are you? I can’t believe I’m finally getting to talk to you.” “Mom, I’m in New York right now, and I’m doing well.” “Amanda, will you come to see me?” “Mom, I can’t come back there as long as your husband is around.” “Oh, Amanda, he hasn’t been here for six years. He left not long after you did. I’m living here by myself. Please come home. We have so much to find out about each other. I love you, and I don’t want to lose touch with you again.” “Mom, I love you too. I will be home in two days, and I am bringing someone for you to meet. No, there is no husband. It’s going to be a surprise. I will see you as soon as I can.” Amanda hung up the phone and turned to Annie Lynn. “Annie, we are going to Oklahoma to visit my mama. We may even stay there.” “Are there Indians there?” “Yes, but not like the ones you see on TV, our Indians look like you and me, except their skin is darker. I think you will like Oklahoma. There are many lakes, rolling hills, cows, and horses. It’s a lovely place to start a new life. How about us starting a new life in a new home? “Can I meet the Indians?” “You certainly can, sweetie.” She gathered Annie Lynn in her arms and held her close. She said a silent prayer thanking God for sending her daughter back to her, and giving her a chance to reunite with her mother.
Hello, I thought today I would post a ghost story for Halloween. It is a true story, but I did take some fictional liberties with it. This story was told to me by a friend and Michael in the story was his uncle. Strange things happen in this world and this is only one of them. I hope you enjoy the story and please leave me some feedback.
I do have a book just for Halloween on Amazon called “Shirley’s Book of Horror.” I am giving away ten copies. If you will let me know you would like an ebook of short stories.
Shirley’s Book of Horror – Kindle edition by Shirley McLain. Literature & Fiction Kindle eBooks @ Amazon.com. https://amzn.to/2Ba3jO8
The Never-Ending Heart
The sobs coming from the people standing around the grave were heart-wrenching. Especially those coming from Andrea’s husband, Michael. Even the dreary gray clouds with the light drizzle intensified the mourning that the Barton family and friends were going through.
Andrea Barton was a vivacious woman who loved her life. The entire family cherished her. There didn’t seem to be a bad trait or habit of any kind. She’d told her family often how perfect her life was and how God had blessed her.
Michael met Andrea in the sixth grade, right after he’d been moved from Michigan to Eufaula because his parents wanted to return to Oklahoma. They became fast friends and were together from that time forward. They knew in their hearts that one day they’d be married.
They worked and saved their money while they were dating so they could buy the farmland out on Route 4. It was located halfway in-between their parents, so it was the perfect location for the young couple.
As a surprise for the couple, both families got together and bought the land and gave it to Michael and Andrea as a wedding present. The money they’d saved could now build a house on their property. Life remained perfect for the couple. They made their dream farmhouse with a wraparound porch and lots of windows.
Love radiated from this couple. If you were around them, you didn’t have a choice but to smile and feel their happiness. On October 31, 1987, they became one legally. In their minds, they already belonged to each other. They didn’t go on a honeymoon so they could buy furniture for their new farmhouse. Their wedding night was the first time they had spent the night together under the same roof and, it was their roof.
Every night, when Michael got in from work, Andrea had a hot bath run, and dinner was cooking on the stove. Michael never liked a shower; he liked soaking in the warm water to help his aching muscles after his hard day at work. They pampered each other in every way possible. This ideal life continued for 30 years. Michael and Andrea had raised two children, who were now gone from home.
Michael left for work after kissing Andrea and saying the words he spoke every morning. “I love you, woman. I always have, and I always will.”
“Not as much as I love you,” Andrea called back. The happiness and love she felt for Michael never left her.
Andrea decided she’d clean off the shelves in the cellar, where she kept all of her canned food and supplies. They were full of junk and disorganized.
The cellar steps were steep without a handrail, and it had no electricity. She’d been after Michael for years to fix everything, but it never happened, so she used two coal oil lamps for light.
She hated going into the cellar because of not having light, and there had always been a problem with scorpions. She shivered just thinking about them. It took all of her determination to go down into the cellar, but she did. She lit both lamps and looked at the shelves dreading what she needed to do.
There wasn’t enough light on the far shelf to see. Andrea picked up a lantern and held it high so she could see the back of the shelf. She felt something land on her arm. When she looked it was a large scorpion which had apparently fallen from the ceiling. She screamed and jumped, dropping the lamp. It broke splashing the coal oil up onto Andrea’s pants. Flames went up her legs. She screamed and made a run for the steps but didn’t get far before she was consumed by the flames. The coroner’s report stated death was caused by fire, which destroyed the body due to the synthetic clothing being worn.
Michael was devastated at the death of his wife and experienced severe depression. All he could think about was Andrea and how much he missed her. His children were genuinely concerned. They even hired a housekeeper to come in daily to clean the house and talk to their dad.
After five years of deep mourning, Michael decided he liked having the housekeeper around. She was kind and talked to him even when he didn’t want her to. The best thing was Darlene was single. He may not have his mind off of Andrea, but he did listen to things going on around him. He decided he would marry Darlene and keep her around for the company.
Within three months Michael and Darlene were married, and she moved into the farmhouse with Michael. Things remained quiet for several days, but then it changed. Every night for a week, Darlene would wake Michael from a sound sleep to tell him someone was crying or walking in the house. Michael could hear nothing, but he’d get out of bed and look. It finally got to the point he told Darlene to go back to sleep because nothing was there.
This continued for almost a month. Darlene was becoming more agitated and unhappy as time went on. Michael decided he would try to cheer his wife up and took her out for a wonderful dinner and a show. Darlene relaxed and felt comfortable for a little while.
When they arrived back home, they immediately knew something was not right. There was a smell of food cooking, and they could hear water running. “I’ll find the water,” Michael said as he took off down the hall to find the running water. It was in the bathroom. The stopper was in the tub, and hot water was running into it. Thankfully it was not running over.
“Ok, I’ll check out the kitchen.” Darlene was standing in the kitchen, screaming at the top of her lungs. When Michael got there he grabbed his hysterical wife to hold her. He immediately noticed the pots cooking on the stove. He continued to hold onto Darlene as he moved them to the stove so he could turn it off.
Nothing prepared Michael for all the emotions he was feeling. Everything about Andrea was brought back to his mind. Darlene calmed down enough to talk and told Michael she was leaving this house and not returning. “I love you, but I’m not staying here another night. There was a woman in this kitchen when I came in. She looked at me and told me you were hers. Then she disappeared. I’m not living with the Ghost of your dead wife.”
“What are you talking about, Darlene? Ghosts aren’t real. There has to be another explanation.”
“Look, I know what I saw, and you won’t change my mind about leaving. I’ll be out of here within thirty minutes. You can come with me or stay, but I’m gone.”
“What did the woman look like?” Michael asked Darlene as she was throwing clothes into a suitcase.
“She was about five foot three inches tall, weighed about 120 and had fiery red hair. She looked like she was in her twenties.”
In a subdued voice, Michael asked, “What was she wearing?”
“You know, I couldn’t tell because of the flames that were covering her body but not burning her. It was your wife! I’ve seen the pictures you have of her.”
Michael sank onto the bed, and his mind couldn’t wrap itself around what he was told. Darlene grabbed her suitcase and left the house. True to her word, she never came back.
From that night on, Michael always had a hot bath and supper cooked for him. He never saw it happen, but it was there for him daily.
About a week before Michael died, he told his daughter he’d seen her mother out by the cellar. “I called to her, but she only smiled and waved to me before she disappeared. I know it has been her taking care of me all the time. It won’t be long before I’ll be with her. I just know it.”
Michael lay on the bed. He had recognized none of his family for the past two days. His eyes were closed, and the loud death rattle sound could be heard into the kitchen. The family gathered around the bed with several shedding tears as they waited for Michael to draw his last breath.
Michael opened his eyes, sat up in bed, and talked to someone at the foot of the bed. The family tried to get him to lie back, but he refused. A rose-colored mist covered the foot of the bed as Michael laid back and let out a show agonal breath.
The family couldn’t believe what they were seeing. Then a female voice spoke, “We are together again, my love,” as the light faded.
This is a story I wrote some time ago and decided to post it. Abuse can’t be talked about enough. Just maybe it might even be of help to someone who needs it. Have a wonderful day.
By: Shirley McLain
Carolyn was a woman like many women who seemed to attract the kind of guy who wasn’t good for her. She felt her issues came about because of being abandoned by her mother at an early age and raised by a father who didn’t care about her. He was an alcoholic who went through all the stages of drinking, from sickly sweet to violent. She learned how to hide and protect herself at a very early age.
Over her adult years, she had multiple relationships and marriages. She said she had a “redneck” addiction. According to the Merriam-Webster Dictionary, the definition of a redneck is a white person who lives in a small town or in the country especially in the southern U.S., who typically has a working-class job, and who is seen by others as being uneducated and having opinions and attitudes that are offensive.
Her last husband was a rough, tough oilfield worker who was gentle, kind and couldn’t do enough for her in the early days of their marriage. His true colors began to surface within six months of their marriage. He’d start drinking and become angry at the littlest thing. She would try to stay out of his way, but he’d hunt her down, make her sit and talk to him. This talk consisted of listening to him tell her everything he thought was wrong with her. The more he talked, the angrier he became. There were several occasions she’d have bones broken on her face from being hit with his fists. If she had to go to the hospital, it was always because she had an accident and had fallen.
There were also multiple occasions when Carolyn would be asleep in their bed. Her husband would come in from the oilfield drunk in the middle of the night, grab her by her hair and drag her out of bed. It would be because of some imaginary thing he believed she had done. He would rant and rave calling her every vile name he could think of and then proceed to beat her.
This abuse continued for eleven years before she decided she’d had enough. She knew if she hadn’t left, he’d killed her.
When asked why she stayed in the relationship so long, she said, “because I loved him and still do.”
Here are five ways to escape an abusive relationship that was originally posted by World of Psychology.
Acknowledge the existence of abuse.
Victims tend to minimize abuse. Abuse does not have to be physical. It is frequently emotional and/or psychological. You don’t have to wait for broken bones or a black eye before you consider it abuse. Yelling, name-calling, intimidation, and threats are all forms of abuse. If you are forced to have sex without your consent, it is abuse and is sexual assault. Ask yourself: “Are you often walking on eggshells?” Keep in mind that most abusers are charming and apologetic after the abuse; there is a honeymoon period. Then predictably the tension builds followed by an explosion. Many women and men stay trapped in this cycle hoping that this time the abuse will stop.
Reach out for help.
Check out YourTango for relationship advice
Fortunately, there are many organizations (local and national) that specifically have the resources to help you. You are not alone! Your friends and family members are not necessarily the best people to help you. They mean well, but they could still be minimizing the abuse or you could jeopardize their safety by obtaining their help.
Call the National Domestic Violence Hotline at 1-800-799-SAFE (7233) or 1-800-787-3224. They will refer you to the organization in your area. Many have emergency shelters that provide many resources. If you have children, they will be able to shelter them as well. They understand and will not judge you in your predicament. They provide individual and group therapy. They will help you with legal matters such as obtaining temporary restraining orders.
Use a safe computer.
The National Domestic Violence website warns users to use a safe computer not accessible to the abuser as computer usage can be monitored quite easily. The website has many resources. Yes, you need to take precautions so you can be safe before you leave this relationship.
The time to be most vigilant is when the abuser realizes that you are planning to leave him or her. Have a safety plan in place. The above-mentioned website has a section to help you make these plans.
Make every effort to address the underlying issues that led you to be in a dysfunctional relationship.
Did you have a childhood that led you to doubt your self-worth? Although men and women (heterosexual and homosexual) of many different cultural, racial, ethnic, educational, economic groups become victimized in abusive relationships, the common denominators are lack of self-esteem and self-love.
When we stay in these relationships, we become increasingly depressed; our self-esteem plummets further. The downward spiral must be interrupted by obtaining help. If you are depressed, you probably feel tired and indecisive. Your thoughts are negative, which furthers the depressive mood. It is easy to feel trapped and hopeless, but dig deep and look for that flicker of hope. It is there!
Get to the bottom of things.
Are you addicted to love or the feeling of being in love? Do you equate love with pain? Those of us who felt alone, alienated and unloved growing up tend to seek out relationships early in life. However, if our parents were in an unhealthy relationship, an abusive dynamic will feel familiar and comforting.
It is vital to acknowledge, explore and heal what led you to this pattern. Otherwise, you are doomed to repeat it. Take a break from relationships for a while. Taking the time to heal is so important. If you have children, they need time to recuperate from the trauma of witnessing abuse. It is normal for you to feel angry and sad, as well as regret that you left the abuser.
Don’t wait until you don’t feel anything to leave. As dysfunctional as it was, you cared about him or her. Surround yourself with support; find a therapist who can assist you in rebuilding your self-esteem, and start rebuilding your life.
Hello everyone, I do hope you are having a great day. To catch you up on my activities since my last blog write. I’ve sent Thomas Gomel Learns About Bullying to the publisher for approval. I also did an upgrade on Princess Adele’s Dragon and had it republished in ebook form. I’ve kept myself busy writing and entering contests on Fanstory. After the article below I will be posting a short story called The Lake. I do hope you enjoy this week’s blog. Until next time have a blessed week. Shirley
PS. By the way, you can possibly win a copy of Princess Adele’s Dragon by following the link, especially if you like medieval dragons, kings, queens, and knights.
Main characters don’t have to change to grow. They can grow in their resolve.
It is a common misconception among authors that the main character in a story must change in order to grow. Certainly, that is one kind of story, as in A Christmas Carol where Scrooge alters his way of looking at the world and his role in it. But other stories are about characters overcoming pressures put upon them to change their viewpoint and holding on to their beliefs, such as in Field of Dreams where main character Ray Kinsella builds a baseball stadium in his cornfield believing the old time players (and eventually even his father) will come to play. In the end, he is not dissuaded from what appears to be a quixotic plan of a misguided mind, and his steadfastness results in the achievement of his dreams.
It is essential in any novel or movie for the readers/audience to understand whether or not the main character ultimately changes to adopt a new point of view or holds on to his beliefs. Only then can the story provide a message that a particular point of view is (in the author’s opinion) the right or wrong way of thinking to achieve success and personal fulfillment.
But not all stories have happy endings. Sometimes, the main character changes when he should have stuck with his guns in regard to his beliefs and becomes corrupted or diminished or fails to achieve his goals A good example of this is in the movie The Mist(based on a Stephen King novel) in which the main character finally decides to give up on trying to find safety from monsters and shoots his son and surrogate family to save them from a horrible death only to have rescuers show up a moment later.
Other times, holding onto a belief system leads to tragic endings as well, as in Moby Dickin which the main character, Captain Ahab (Ishmael is the narrator), holds onto his quest for revenge until it leads to the death of himself and the destruction of his ship and the death of all his crew, save Ismael who lived to tell the tale.
Though writing is an organic endeavor, when you make specific decisions such as whether your main character will change or remain steadfast and what outcome that will bring about, you strengthen your message and provide a clear purpose to your storytelling that results in a strong spine in your novel or screenplay.
The last time I saw Charlie, he laughed as we drove into Crystal Springs Lake. I knew we would have hell to pay for sneaking out, but I never imagined how this fun evening would end.
Charlie and I were friends from the first grade. We were neighbors, and as adventurous boys, we spent every second together we could manage. We were as different as two people could be. I’m quiet and shy, and Charlie was the fellow that drew people to him like June bugs to a light. Maybe it was his good looks with his coal black hair and that cleft in his chin. He was muscular, athletic and all the girls flirted with him every chance they got. He didn’t care. The only thing he wanted besides our friendship was the full football scholarship at Harvard.
We had a good time throughout school. As this was our last year at Grady High School there was a lot of pressure on Charlie to perform. He actually did it to himself, but if I tried to talk to him, he wouldn’t listen. “Charlie, you have to lighten up a bit. You can’t go on at the pace you’re going. It’s been weeks since we’ve done anything together. You study and practice football. Take time to relax. Quit worrying about that entrance exam. You have it aced.”
“Sure, I do, but it doesn’t feel like it. I feel like everything inside of me is about to explode. I have to keep pushing myself to keep the pressure down, but I’m ready for something different. I’ll listen to you just because you’re my best friend and I love you like a brother. What do you want to do?” Charlie asked.
I had to think of something we would enjoy together and take the pressure off of him. “I’ve got an idea. Let’s go to the lake after dark and go skinny dipping. We haven’t done that in a long time.”
“Are you crazy?” Charlie asked. “We haven’t been skinny dipping since we were twelve years old.”
“Yeah, I know, and it’ll be fun. Just like old times. What do you say?”
We were both laughing, and Charlie said “Let’s do it. I want to be twelve again and forget all about school and football. I’ll be at your house at 7:00 and you can drive.”
“Sounds good to me. I don’t mind driving at all, and I’ll even bring us snacks and cold drinks. See you then.”
I left his room and went back to my house. I got everything ready and packed it in my car. Since my mom and dad weren’t home, I left them a note so they wouldn’t worry about me. Charlie was at my door promptly at 7:00.
It was a great drive out to the lake. We had the windows down and the radio up. We were laughing, singing and shouting at the top of our lungs as we drove to our spot. We were trying our best to be twelve-year-olds again.
It was dark when we arrived, but we didn’t care. We unloaded the car and set up our blanket right at the edge of the lake. It wasn’t the first time we had swum in the dark. I brought two flashlights, but we didn’t turn them on. We were happy. We liked this spot because we could dive into the lake. It was easy in and out of the water. We got rid of our clothes quickly and then laughed at each other as we stood there as naked as the day we were born.
Charlie slapped me on the back. “Are you ready? I am.” He backed up three steps and ran and dove into the lake. I jumped in feet first, as always. The water was cold and sent a shiver over my body. I didn’t hear Charlie laughing, so I looked around. I didn’t see him. The lake was smooth as glass. I called his name. He never answered, so I climbed out of the lake slipped on my pants and got the lights. My hands shook so hard I had trouble turning on the lights. I shined the beams over the water, and I still couldn’t see him. I knew something was wrong. I got my cell phone and called 911. I had a terrible time as I tried to get the words out to report Charlie missing.
I tried to sit but couldn’t stay still. I walked back towards the main road thinking I would meet the authorities. That was silly, it wouldn’t make them arrive any faster. I turned back towards the lake moving the beam of one of the flashlights around. What was that? I brought the light back to what looked like a sign. When the beam of light hit it, I got sick to my stomach. The sign read: No swimming until further notice. Alligator sighting today.
One part of me is going hurray and celebrating but then another part is going, gosh, now I go publisher shopping and setting up more advertising. There is always something more to do with a book that is yet to be published.
Right now I am wanting Beta readers to read the book and give me an opinion on whether they would purchase the book or not. One part of my mind is going why wouldn’t anyone like a book that could teach them how to react and/or treat a bully at school.
I hear rave things about the book from my writing group, but then the devil on my shoulder starts talking and tells me it’s not true. They just say that so they can earn credit or because you said something nice about their writing. For me it’s a constant Dr. Jeckell and Mr. Hyde, depending on the time that you speak with me. I will persevere and this book will be published.
If you would like to read this book in word or PDF and give me an honest opinion, I would be happy to send it to you. Just email me at email@example.com and let me know.
Here is a short story for you called “No Pain, Just Memories”
It’s rough being a girl, going through the teen years. Not a child but not an adult either. One minute you are silly with giggles. The next minute you are miserable with your heart feeling as if it’s broken in half. You’re not old enough to drink but you know that’s what a lot of people do when they have a broken heart.
My day started out so well due to the fact Mike called and wanted to see me. My heart was racing because I knew he was going to ask me to go steady. I could see the high school ring on my finger with tape wrapped around the shank to make it fit.
“Mom, can I go to town for a couple of hours? I want to go to Walmart to pick up some writing paper for school.”
“Have you got your ironing done? You can’t go anywhere until those clothes are taken care of,” Mom says in her I mean what I say voice.
“I’ve got two pieces left and they will be done before I go. Is it OK, can I go?”
“Alright, but you be home before you dad gets in from work.”
“Thanks, Mom,” I tried to keep the absolute joy out of my voice when I answered her. I get to see Mike today.
I hurried to finish the ironing so I could get ready for my anticipated visual idolization of Mike’s handsome face. He was such a dream. That blonde hair which fell into his eyes, oh those wonderful eyes with the longest lashes I’d seen in my life. They were so clear and such a bright color of blue. Even if I hadn’t loved all of him, I would love him for his eyes alone.
I managed to get dressed without changing clothes four times because I was in a hurry. I left the house in my old car that I drove back and forth to school that had a rotten floorboard. Even though the bus stopped at our front door, I was much too old to have to ride that bus with all those screaming, snotty-nosed kids.
I drove straight to the place where Mike was staying while he worked his summer job. I should’ve known something was wrong when he came outside instead of inviting me in as he’d always done before. I didn’t even get the hello kiss that was our custom. I had a fleeting thought something was going on, but I pushed it away.
“Hi, Mike. I got here as soon as I could. Mom made me finish my ironing before I could come to town.”
“Thanks for coming down. We need to talk,” Mike said. He walked me towards my car not saying anything.
When we got back to my car, I asked Mike, “What do we need to talk about?”
He looked down at me from those wonderful blue eyes and said. “I don’t think we should see each other anymore. My summer job is ending soon and I will be returning to school. Besides, there is someone else I want to date. I thought it was only fair that I tell you straight out.”
I kept my cool while he was talking but I could feel the tears begin to burn my eyes. I had the urge to scream, Who is the dirty, rotten, floozy that’s taken, my man? “OK, Mike, if that’s what you want. I understand. Thanks for being honest with me.” I got in my car as gracefully as I could and drove away. I didn’t get far before I was sobbing for my lost love.
As I looked back at that time, I wondered at how silly that young girl was. A girl’s first heartbreak is something she never forgets and an experience most of us have had to go through. I’m an old woman now and it’s as fresh today as it was then. No pain just memories.
I hope you enjoyed the story as much as I did writing it. Have a blessed week Shirley
I’ve got a new book coming out soon on Bullying. It’s called Thomas Gomel Learns about Bullying’.
It’s for ages 10 and above. I made up my own genre called educational fiction. Follow a young man through bullying at school and how it is dealt with. If you would like to be a pre-published reader, let me know. I want several people to read and edit the story to make sure it makes sense. Let me know. Shirley
Here is a 500-word story I wrote the other day called Happy Anniversary,
My husband brought me to Tony’s place for a nightcap. Our night was perfect. I couldn’t wait to get home to ravish his hunky body. When we walked through the door, we looked around just to give our eyes time to adjust to the light. Mack excused himself leaving me to go to the bar alone.
I sat down two seats away from a woman I envied, and I didn’t even know her. Gorgeous from the top of her head to her manicured toes. We made eye contact which made me feel as if I needed to speak.
” Hi, how are you tonight? I’m Amanda.”
“Hello Amanda, I’m Jazelle. It’s nice to meet you. Are you alone also?”
“No, my husband is with me.”
Unhappily Jazelle said, “My husband is away on a business trip. It’s our anniversary.”
“What a coincidence, it’s mine also. We can celebrate together. Cheer up. I’m sure you’ll have your man back in no time. Speaking of having your man back I wonder where mine is. He should be out of the John by now.”
We ordered two more drinks for ourselves, and I got another one for Mack when he got out of the bathroom.
“Jazelle, do you have a picture of your husband? I’ve one of Mack so I’ll hand you mine and you hand me yours. We’ll do a husband swap.” Both of us laughed as if we were doing a man swap. I pulled out my wallet, and she pulled out hers. We both got our pictures out.
“Are you ready,” I asked, and we swapped pictures. I couldn’t believe what I was seeing. I looked at Jazelle, and her face was white. We asked together. “How did you get a picture of Mack/Elliott?”
“What is this Amanda? You have a picture of my husband, Elliott?” Jazelle asked.
I couldn’t answer her, so I did the next best thing. I asked the bartender to please go into the men’s restroom to check on my husband. He gave me a “who do you think I am” look and left the bar.
“Jazelle, that is a picture of my husband and so is the one in my hand. I don’t know what is going on, but when Mack gets out of the restroom, I promise I’ll find out.” We placed the matching pictures on the bar and picked up our drinks. They were put down empty.
“Excuse me, there ain’t no one in the men’s bathroom,” the barman said.
“What, that can’t be,” I shouted.
“Lady, I checked every stall. He ain’t there.”
“It looks like you’ve been abandoned just as I have,” Jazelle said. “Don’t you think it’s strange we’re at the same bar, with the same anniversary, with pictures of the same man? Something stinks here.”
“I think we should go to the police,” I told her. “What do you think?”
Pacing is a crucial component of fiction writing. After all, it’s important to keep your readers “hooked” throughout your story. Whether you are just getting started in writing or looking to break into fiction writing, you’ll need to know the basics of how to pace a novel. Read today’s tip of the day from Crafting Novels & Short Stories. In this excerpt written by Jessica Page Morrell, she explains what pacing is and seven ways to keep your story moving at the right pace.
What is Pacing in Fiction?
Pacing is a tool that controls the speed and rhythm at which a story is told, and the readers are pulled through the events. It refers to how fast or slow events in a piece unfold and how much time elapses in a scene or story. Pacing can also be used to show characters aging and the effects of time on story events.
Pacing differs with the specific needs of a story. A far-reaching epic will often be told at a leisurely pace though it will speed up from time to time during the most intense events. A short story or adventure novel might quickly jump into action and deliver drama.
Pacing is part structural choices and part word choices and uses a variety of devices to control how fast the story unfolds. When driving a manual transmission car, you choose the most effective gear needed for driving uphill, maneuvering city streets, or cruising down a freeway. Similarly, when pacing your story, you need to choose the devices that move each scene along at the right speed.
Seven Literary Devices for Pacing Your Story
You need speed in the opening, middle, and climax of your story. Sure, you’ll slowdown from time to time, especially to pause for significance and to express characters’ emotions, but those times will usually appear just before or after a joyride of skin-tightening speed.
There are lots of tools to hasten your story. Some are better suited for micropacing—that is, line by line—and some are better suited for macropacing—pacing the story as a whole. Let’s take a closer look at each device.
ACTION. Action scenes are where you “show” what happens in a story, and, when written in short- and medium-length sentences, they move the story along. Action scenes contain few distractions, little description, and limited transitions. Omit or limit character thoughts, especially in the midst of danger or crisis, since during a crisis people focus solely on survival. To create poignancy, forgo long, descriptive passages and choose a few details that serve as emotionally charged props instead.
CLIFF HANGERS. When the outcome of a scene or chapter is left hanging, the pace naturally picks up because the reader will turn the page to find out what happens next. Readers both love and hate uncertainty, and your job is to deliver plenty of unfinished actions, unfilled needs, and interruptions. Remember, cliffhangers don’t necessarily mean that you’re literally dangling your character from a rooftop as the scene ends. If your characters are in the midst of a conversation, end the scene with a revelation, threat, or challenge.
DIALOGUE. Rapid-fire dialogue with little or no extraneous information is swift and captivating, and will invigorate any scene. The best dialogue for velocity is pared down, an abbreviated copy of a real-life conversation that snaps and crackles with tension. It is more like the volleying of Ping-Pong or tennis than a long-winded discussion. Reactions, descriptions, and attributions are minimal. Don’t create dialogue exchanges where your characters discuss or ponder. Instead, allow them to argue, confront, or engage in a power struggle.
PROLONGED OUTCOMES. Suspense and, by extension, forward movement are created when you prolong outcomes. While it may seem that prolonging an event would slow down a story, this technique actually increases the speed, because the reader wants to know if your character is rescued from the mountainside, if the vaccine will arrive before the outbreak decimates the village, or if the detective will solve the case before the killer strikes again.
SCENE CUTS. Also called a jump cut, a scene cut moves the story to a new location and assumes the reader can follow without an explanation of the location change. The purpose is to accelerate the story, and the characters in the new scene don’t necessarily need to be the characters in the previous scene.
A SERIES OF INCIDENTS IN RAPID SUCCESSION. Another means of speeding up your story is to create events that happen immediately one after another. Such events are presented with minimal or no transitions, leaping via scene cuts from scene to scene and place to place.
SHORT CHAPTERS AND SCENES. Short segments are easily digested and end quickly. Since they portray a complete action, the reader passes through them quickly, as opposed to being bogged down by complex actions and descriptions.
SUMMARY. Instead of a play-by-play approach, tell readers what has already happened. Because scenes are immediate and sensory, they require many words to depict. Summary is a way of trimming your word count and reserving scenes for the major events. You can also summarize whole eras, descriptions, and backstory. Summaries work well when time passes, but there is little to report, when an action is repeated or when a significant amount of time has passed.
WORD CHOICE AND SENTENCE STRUCTURE. The language itself is the subtlest means of pacing. Think concrete words (like Prodigy and iceberg), active voice (with potent verbs like zigzag and plunder), and sensory information that’s artfully embedded. If you write long, involved paragraphs, try breaking them up.
Fragments, spare sentences, and short paragraphs quicken the pace. Crisp, punchy verbs, especially those with onomatopoeia (crash, lunge, sweep, scatter, ram, scavenge) also add to a quick pace. Invest in suggestive verbs to enliven descriptions, build action scenes and milk suspense.
Harsh consonant sounds such as those in words like claws, crash, kill, quake, and nag can push the reader ahead. Words with unpleasant associations can also ratchet up the speed: hiss, grunt, slither, smarmy, venomous, slaver, and wince. Energetic, active language is especially appropriate for building action scenes and suspense, and for setting up drama and conflict.
A fast pace means trimming every sentence of unnecessary words. Eliminate prepositional phrases where you don’t need them: For example, “the walls of the cathedral” can be written as “the cathedral’s walls.” Finally, search your story for passive linking verbs and trade them in for active ones.
The following blog is from BubbleCow which I received this morning. Because of my editing on Princess Adele’s Dragon, I seem to be paying a lot more attention when I see these helpful tips. I wanted to share it. Have a blessed day. Shirley
I’m talking about that dirty word: grammar.
But more than that, I’m also talking about formatting, which is kind of like grammar for the computer-age. Bold statements aside, if you want to be taken seriously by publishers, editors, and readers, then you’ve got to get your head around formatting conventions on word processors. I often joke that you wouldn’t start playing a sport without first reading the rules. It is the same for writing. You need to be getting the basics correct; there’s no excuse. As a writer, you simply need to know this stuff.
I’m a big fan of writing software in general and favour a whole host of different word processors. However, Microsoft Word is still the industry standard, so I’ll be using that as a reference point. These rules will still apply whether you’re using Scrivener, OpenOffice, LibreOffice, or whatever your software of choice is.
OK, so with all that said, here’s the six grammar/formatting issues that drive us mad:
Ellipses – yep. They showed up last week and they’re back again. A few of you seemed unclear as to the nature of an ellipsis. Well, an ellipsis is the three dots writers use to denote an omission or to show a pause in speech. Here at BubbleCow, we often receive manuscripts where the writer has thrown in a few ellipses but with variable numbers of dots. In fact, some writers seem to think that the more dots they add, the more mysterious and tantalising their cliff-hanger becomes. “I was never there…………………… OR WAS I?” Oh dear. Ellipses only ever have three dots. No more, no fewer.
Two other things to say about ellipses. The correct way to write an ellipsis is . . . – that’s dot space dot space dot. The problem is that this plays havoc with some eBook conversion tools. Therefore, our house style is to alter them to … (three dots with no spaces). This will be picked up in the conversion process and handled correctly.
What about when an ellipsis is used at the end of the sentence? What happens to that extra full stop? Should it be three dots (…) or three and a full stop (… .). The answer is a little confusing. There’s no set rule on this, with different style guides opting for different options. At BubbleCow, our house style ignores that last full stop. Just the three dots for us, please.
Writing numbers – this, confusingly, is not another case of consistency. Now, we get hundreds of manuscripts where the writers rather sensibly choose to either use either purely numeric or purely written numbers for the entirety of their manuscripts. Then we get those who arbitrarily use a mixture of the two. Strangely, both parties are wrong in this case. Our house style (based on the Chicago Manual of Style) is as follows: numbers up to 100 must be written in words – so: one, seventeen, ninety-four. After that this becomes a little time consuming, so we allow these larger numbers to be written in digits: 1003, 784, 100,000. All you have to remember is that 100 is the magic number.
Spaces – now I know what you’re thinking. How can anyone mess up a space? Do we receive manuscripts that are just spaceless walls of interlinked words? The answer is no.
I’m talking about making sure that you’re only using one space between words. Now I know how it is – you’re writing passages, deleting them later on, shuffling around paragraphs – things get messy. But I recently ran a find-and-replace on a manuscript and it found 384 instances where two spaces had snuck in instead of one.
We’ve talked about single and double spacing before and it kicked up a bit of a storm. You see back in the olden days of typewriters and typesetting, double-spacing was standard. Those days are over! Double spaces are a nightmare for those unlucky publishers who’re in charge of creating eBooks. They mess up the formatting, resulting in unattractive, oddly-spaced electronic books that inevitably have to scrapped and redone. Our advice? Stick to one space.
Page breaks – this one is easy. The reason I’ve listed it here is because eBook conversions rely on page breaks between chapters. They will see the page break and understand that they need to do something special. If you’ve just pressed Enter a load of time to move the text to the next page you are in trouble. Not only will the conversion process potentially miss the chapter break but you’ll also lose the positioning if you then add or remove text in the chapter.
The bottom line is that you should always use a page break to go to the next page before starting a new chapter. This makes for a clean and presentable eBook, and will also help the printers if you’re going to print copies.
Paragraph breaks versus line breaks – these two phenomena might need explaining as they’re both pretty similar. Indeed, Microsoft Word didn’t start distinguishing between them until about 2003 (don’t quote me on this), but in modern word processing, the difference is very important.
OK, if you open up Word, type “BubbleCow is great,” and then press Enter, you’ll notice that the cursor jumps down to the line below, leaving some space between the previous line and the new one. This is a paragraph break. This is the one you want.
If, however, you were to hold Shift and then press Enter, the resulting new line would be right up beneath “BubbleCow is great,” with no space between them.
A great way of checking this is to use the Show/Hide Nonprinting Characters button, found on the Home tab in Word (it’s the odd black backwards P symbol). A paragraph break will show up as one of these backward-Ps, whereas a line break will be a cornering arrow. You want the P.
Line breaks are a nightmare for those in charge of formatting your masterwork – it groups all the text together, which means that text becomes harder to arrange on the page and stubborn in its disobedience. Using line breaks to create space (at the end of a chapter, for example, so you can get that page break in) can create nightmares for eBook conversions. Paragraph breaks all the way. One of the first things I do with a new manuscript is to find and replace all line breaks with paragraph breaks.
Indentation – those pesky line breaks also have a habit of messing up any system of indentation you might (should) have going. Indents only trigger on paragraph breaks, so there’s an extra reason always to paragraph break! But indents are important in their right.
Here at BubbleCow, we want the first paragraph of each chapter to be a straight flush, with the first sentence in line with the following sentences. After that, though, every paragraph needs its first line to be indented using the Tab key (not spaces! These tend to be messier and can disappear during the eBook conversion process). Again, this is one of the first things we add when we receive a new manuscript, as it helps your manuscript appear clean, streamlined, and readable. It also makes eBook versions far more attractive and is necessary for the conversion process.
How do you feel about authors advertising their books any and everywhere they can? I am one of those people. I’m an author, and I try to take advantage of every opportunity I come across to tell someone about my books.
Even if I am an author, I get tired sometimes of seeing so many ads on Facebook and Twitter, which is certainly two-faced of me. I can’t have it both ways. There’s one side of me that wants to see things I can read about a fascinating subject not another “look at my book, see me.”
Since I’ve said how I feel, let me share the link to my latest book with you and also offer tips on how to possibly market a book. Here’s my link. Have a look and if you would like to do an Amazon review, I will send you one free for an honest review. http://amzn.to/1Xogylz
Here are some book marketing tips taken from an article on Author Media by Caitlin Muir.
89+ Book Marketing Ideas That Will…
Increase your web presence:
Create a testimonial page on your website
Add the free My Book Progress plugin to your WordPress website to update your visitors about the status of your upcoming book.
Retweak the SEO on your site
Ask fans to post their reviews on your Facebook page
Ask fans to post their reviews on Amazon
Ask fans to post their reviews on Goodreads
Sign up for Twitter
Clean up your social footprint
Create an author FB page and use it instead of your profile
Sign up for Google Authorship
Offer bloggers advanced reading copies
Go on an online book tour
Create a book launch team
Host Q+A sessions on Google+
Create Facebook Friday videos
Register as an author on Amazon
Register as an author on Goodreads
Create a book trailer
Add the free My Book Table plugin to your WordPress website to boost book sales.
Create a hashtag for your next book
Build your fan base:
Start an FB campaign to increase your fans
Start a Google Campaign to increase traffic to your site
Start a controversial web series
Link up with other writers for your controversial web series
Start weekly Twitter chats with readers
Keyword your blog posts
Create a monthly newsletter
Create an affiliate program
Become a guest blogger
Create business cards with your web address on them and hand them out
Put your photo on your business card for stronger branding
Start commenting on other blogs (early and often)
Host regular author hangouts on Google+
Host regular author interviews on Google+
Record your Google+ hangouts and put them on YouTube
Get social media coaching
Create an online community with a forum
Say thank you to readers with special incentives for being a fan
Ask your reading community to design merchandise for your store
Create a fan page for your main character (works well if they are in a series)
Ask fans to create their own book trailers and post them online
Offer core fans advanced copy of future books
Ask fans to post pictures of “character spottings.”
Offer “extra features” on your website
Use Twitter hashtags
Poll your readers and listen to what they say
Answer all your blog comments
Engage with your fans on FB
Ask your fans to post pictures of them reading your book
Make some extra money:
Repackage old blog posts and sell them as an e-book
Join an affiliate program
Speak on the core topic of your book
Become a content writer
Host paid webinars
Freelance with niche magazines
Sell ads on your website
Sell ads in your newsletter
Write a new ebook tailored to your fans
Mentor another writer
Become an Amazon Affiliate (and use MyBookTable)
Offer customizable ebooks for readers
Sell your book on your site, not just Amazon
The @AuthorMedia crew just gave me 89 free book marketing ideas. Watch out the world! – click to tweet.
My sales should spike soon. I’m going to try out some of the book marketing suggestions from @AuthorMedia. – click to tweet.
89 Book Marketing Ideas That Will Change Your Life. Try one today! – click to tweet.
Have you tried any of these marketing tips from @AuthorMedia? They look great! – click to tweet.
Dang. I needed book marketing ideas, and I found 89 of them via @AuthorMedia. – click to tweet.
If you write books, you should look at this list ASAP. Unless you are my competitor. – click to tweet.
Need some book marketing ideas? One of these ideas should do the trick! – click to tweet.
Build your brand offline
Write a Press Release
Ask to be interviewed by your local paper
Ask to be interviewed by the paper your book is set in
Ask to be interviewed by the local radio host
Ask to be interviewed on the local morning show (read this article first)
Partner with a band that has the same cause as you
Go on a physical book tour
Start thinking local
Sell themed merchandise (Think “Team Edward” shirts)
Rent a billboard
Host a book release party
Link with an activity that supports your cause and sell your book there
Create a viral video about a scene from your book
Find a Place To Give a Book Reading:
Your local coffee shop
A retirement community
A rehabilitation center
A local church
A locally owned bookstore
The library (try the five closest to your house)
The local community college
Wherever the main setting of your book is
Videos you upload to Facebook
Discover where to donate your book (and make new fans):
The five closest libraries to your house
The library in your hometown
Community libraries at coffee shops
The local community college library
The libraries in the town where the book was set in
Cruise ship libraries
Become an expert:
Listen to the Novel Marketing Podcast.
Get active on LinkedIn
Write Op-Ed pieces on the core message of your story
Write freelance pieces on the core message of your story and pitch to niche publications
Give lectures on the core message of your story
Host webinars with other experts
Create a series of web-videos interviewing experts on the core message of your story
Make sure your author about me page is interesting and relevant
Create a Meetup group
Have any book marketing tips you’d like to add to the list? Leave them in the comment section.