Tag Archives: character development

Different Strokes for Different Folks

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Different Strokes for Different Folks

Hello, everyone. I hope all of you experienced a great week. Today I’m giving you a blog that discusses how you can broaden your story and your readership from an article by Bharti Kirchner. This was originally published in the Writer magazine.

Why venture into unaccustomed territory when it comes to characters? In a globalized world, re regularly meet people.e very different from us in race, class, ethnicity, religion, politics or ideology.  Modern novels and memoirs, as mirrors of a society, increasingly depict this heterogeneity.

In addition to expanding our readership, a diverse character, whether the protagonist or a secondary character brings a broader voice to a story. In the case of the novel Tulip Season, protagonist Mitra meets a mysterious German man, and the contrast between the two adds an element of tension.  With dissimilar actions, attitudes and world views, backgrounds and upbringings, their interactions spark a great exploration of Mitra’s world.

Creating Authenticity: How do you get started writing about a person foreign to you? By immersing yourself in that particular culture of community through direct contact and by building relationships.  Armchair travel can also help, as can books, videos, movies, art, and the Web. Remember, in the end, it’s your story and it’s fiction.  You’re facing challenges no matter what.  “If you’re going to write fiction, you’re going to write about people who aren’t you,” says David Guterson, author of 10 books, including Snow Falling on Cedars.  “You should feel some healthy trepidation about that.”

Respect, openness, and empathy are keys to depicting an unfamiliar culture or perspective.  Here are additional tips and techniques.

First Impressions: What a reader first notices is how the character looks, dresses, sounds and behaves.  Bring the character alive with physical descriptions, but not too much and not all at once.  Allow readers to use their imagination to fill in the blanks.  Pay special attention to the rhythm of the spoken language.  A foreign born person might speak with an accent and fall back on native words as necessary.

A Character from Inside Out: You’re writing about individuals, and the methods you usually employ to develop a character of any kind still applies. Remember that all cultures have hopes, fears, and dreams, and it’s your job to portray that.

Does a diverse character have to be sympathetic?  Peter Mountford, the author of two novels, including A Young Man’s Guide to Late Capitalism, says no.  “Actually, I’m not sure he is very sympathetic because of the choices he makes,” Mountford says of Gabriel do Boys, the 26-year-old, biracial protagonist in his novel.  “He builds a lucrative career instead of abandoning it for love.  I feel for him, definitely, but a lot of readers struggle with him, and I suppose that is the key to writing “the other,” for me.”

Beliefs and Conflicts: Every culture or community holds common beliefs about marriage, family, money, status and friendship.  A character is likely to suffer moth internal and external conflicts when going against these beliefs and sometimes even when conforming to them.

Showing Universality: By wrestling with choices and obstacles, a diverse character, like any other, grows and changes.  In the process, he or she displays common human characteristics as fear, anger, joy and love.  Although I’m different, I’d feel much the same in the same situation, the reader realizes, and perhaps gets more involved in the book.

You can make a character accessible in other ways.  Show how he or she relates to friends.  Let him or her grapple with everyday issues like traffic.  An element of humor can also help.  We gravitate toward people who lighten our days with a joke or a funny situation.  It is in those moments that we let go of our differences and embrace our common humanity.

 

I hope this article helps to make your writing this week easier. The more knowledge we have the better writers we are.  Blessings to all.

Leaving The Joy Out of Writing

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dog coutureWriting is not always fun.  There are times when it’s downright taxing.  Various authors have compared the process to cutting veins and bleeding onto the page.  Certainly everyone has had the feeling of being discouraged, of thinking that the words are flappy, the sentiments trite, the whole thing a complete waste of time.  Many writers get so stuck in the morass that they can’t get our, and so they write word after every begrudging word with any joy at all.

Often this happens when a writer gets stuck on one particular story.  I have often seen it happen that a writer will carry around a story for a decade.  He will work on nothing else.  He is going to finish it if it kills him.  He submits the same story over and over and over again to be critiqued.  Although I suggest politely that he move on and write something else he can’t.  He has to tell this story. But now he hates it, and quite honestly, I hate it.  I’ve critiqued the character, the plot, and the dialogue.

I suspect this is even more likely to happen to novelists than to short-story writers, because we’re more likely to put big chunks of time into a novel.  Certainly it’s harder to walk away from something you’ve spent four years working on.  That was how long I worked on my novel, Courting Disaster.  It was the story of a woman who gets engaged 17 times and then falls in love with a man named Chuck Jones.  My novel was a finalist for a number of prestigious literary awards, got a lot of agent and editorial attention, but after four years of writing, rewriting and submitting, no one wanted it.  I was depressed, to put it mildly I was also discouraged at the prospect of having to write a whole new book.

But I did.  I wrote a book about a woman who teaches a fiction class, and I began to feel something I hadn’t felt n a while: excitement.  At one point, as I was trying to figure out who the students were in the writing class, I realized that my old friend Chuck Jones, would be perfect.  I had been obsessed by this character, and I was delighted to move him over to my new novel.  The Fiction Class was, in fact, published by Plume, a division of Penguin.  Often when I’m at book clubs, people will come up to me and tell me how much they like Chuck jones, and I always feel like that’s a tribute to the beleaguered part of me that struggled so hard to get a foothold in this business.

Don’t be afraid to start something new, if this is what you need to keep going.  Start a new story.  Take what you’ve learned and apply it somewhere else. But don’t give up the joy that brought you into this insane profession in the first place.

<div style=”font-size: 8px;”>Original by Susan Breen</div>

Character Development Part 11

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The main character of comic Oswald.

Image via Wikipedia

How do you get your characters?  Do you think about them for a long period of time and have them fully fleshed out in your mind before you start writing, or do you let them develope themselves.

I believe I blogged in an earlier blog, my characters in “The Tower” took on a life of their own and just were there.  I would come up with a name, and my main character developed as my story went along, plus several others.  I don’t think there is a right or wrong way, unless you tend to have very flat one dimensional characters.

My characters for “The Tower,” was not based on anyone I knew.  When my sister read the book she knew my main character was her.  I just let her go on thinking down that line.  Maybe she was, but it was on a unconsious level from me.

When it comes to your characters development there are questions you can ask yourself that will help the development.  Below is a list of possible questions.

1.  What is your character’s name?  Is there a nick name?

2.  What is the character’s hair and eye color?

3.  Any distinct physical features?  Scar, long eye lashes, birthmark, tatoo, ect.

4.  Who are your characters family and friends?  Who is the character closest to?

5.  Where and when was your character born?

6.  What type of personality does your character have?

7.  What is your characters desires and fears?

8.  Does your character have a secret?

9.  Where does your character live?  What type of abode? House, apartment, tent, ect.

10.  What does your character do when he/she is angry?

The questions can go on and on and with each answer you develop your character.  You man not use all of the information, but you have it, if needed.

If you are writing a story about good versus bad, then you would need to develop two characters, the protagonist(good) and the antagonist(bad).  You want to develop round characters and this can be accomplished with a little bit of thought and time for your characters.

Enjoy the video:  Joyce Carol Oates – On Writing Characters

http://youtu.be/LgJ809QKmas