Tag Archives: Creative writing

The Workaholic (Short Story)

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Hello, everyone, I wrote this a couple of days ago and thought I would share it. It is a story about a man who let work rule his life. I hope you enjoy it.   Shirley

 

The Workaholic

 

James stood by the large picture windows, gazing over the open fields, to the purple-tinged mountains beyond. Darkness would be coming soon and with it a storm. He flinched as a crack of lightning split the murky sky. He turned and threw another log on the open fire, sending a flurry of ash into the air. He refilled his whiskey glass and took a deep sip. He savored the taste as it warmed his throat. He was trying to build up the courage to make that phone call he had been putting off all day. He reached for the phone just as it started to ring.

His heart began to pound as he grabbed for the receiver. The tentative nature of his voice was heard clearly as he murmured, “Hello.”

“Hello, James, this is Edmond from Buying Direct and do I have a deal for you.”

“What, oh hell, don’t call again,” he shouted as he slammed the receiver down. I’m not calling her. She is the one who left. His mind immediately went back to a week ago when he came home after being gone for two weeks and found her and the kids were gone. He was expecting his two-year-old daughter to start screaming “daddy” as soon as she realized he was home, and his five-year-old son starts asking to go out back and play catch. So much for expectations. What he got was an empty house with a note left on the dining room table. He’d memorized every word since he’d read it so many times.

James, I’ve taken the kids and moved out. I’ve tried to talk to you many times, but you kept putting me off or not listening at all. You can’t stay away from home for weeks and expect me to handle the house, the kids, the bills and that dog of yours. Don’t bother calling Mom’s because I’m not going there. If I want to talk to you, which I doubt. I will call you. April

After reading the note, James made his bar area his most favorite spot in the house. The drinking began the day he got home and has only stopped when he passes out on the couch. Normally he is fastidious about his appearance but not this week. He looks like a drunk on skid row. His facial hair now has six days’ growth, not to mention the hair on his head is greasy. He’s not removed his clothes since he walked through the door. They smell like body odor and wet dog scent and are very wrinkled.

The storm rumbling outside enhanced James’s angry mood. He couldn’t believe, after all, the years they’d been together, and as hard as he worked, she left. She can stay gone. I don’t need her, and I will fight for custody of the kids. She’s not going to get away with doing this to our family. James picked up his glass from the coffee table poured himself another glass of Crown Royal over rocks. He’d lost count of the number of times he’d filled his glass.

“Come here, Brutus. You will be my family. Won’t you boy? You love me don’t you? We don’t need her.” The Mastiff shook his head slinging saliva on the coffee table before he jumped up to lay beside James on the couch. James began to rub Brutus’s head and ears. “You’re such a good boy. You won’t leave me, will you?”

 

“You know, Old Boy, I have to go back to work on Monday. I don’t think I can go back to Raleigh and leave you here. I’ll give my boss a call tomorrow and tell him I can’t abandon you. I’m sure he’ll understand. There’s no way I’m leaving you here. She’ll be sorry she left us. You wait and see.”

The phone rang again but this time, James was too inebriated to care who was on the phone. He picked up the phone and slurred “Hello.”

“James, it’s April.”

“Yeah, what do you want?”

“The kids want to talk to you, but I can hear in your voice this is not a good time.”

“Why in the hell would you care what kind of time it is. You’re not here. You took them and ran away.”

“Sober up James if you want to talk to the kids. Goodbye”

The phone clicked, and she was gone. He didn’t even bother to hang it up before he laid down on the couch and passed out.

Who Is That Character?

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I’ve been told you must know your characters.  Your main characters desires should be known.  If you want your character to gather the sympathy from your readers, then give the character a strong desire.  What is being strived for, a new job, romance, riches, and knowledge?  If your character doesn’t have a need, do you think your readers will find excitement in your book? How do you say “boring?”You have to make your character multidimensional, and not leave him flat.  What creates the most vivid picture, 3D or regular television?   It is a matter of contrast in your characters.  As humans, we are very complicated, and you have to show that complication in your characters also. That way your reader can get interested in your character.

Your contrasts should be worked into your story, so they do not become roadblocks for the reader.  You want your story to keep moving forward.  You can have your character step out from the usual character portrayed as long as the tendency has been shown before.  That way it is not a stopping point.

Gotham’s “Writing Fiction” states,” your characters should have the ability to change, and the reader should know it.  Change is particularly important for a story’s main character.  Just as the desire of the main character drives the story, the character’s change is often the story’s culmination.”

This doesn’t mean your main character has to change, but the reader should always know change is possible.  Predictability is created if you do not give the character the potential to change.

I have covered a few ways to help you create a character that your reader can get to know.  The video today on creating characters.

PS this video gives lots of good information, but there is cafe noise in the background.

6 Steps for Writing a book Synopsis

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snopsisSince Princess Adele’s Dragon has now been published I have to write a synopsis of the story.  I decided to look for some help and found this blog by Marissa Meyer. It broke the synopsis down into easy to handle pieces. I hope you find it helpful.  Shirley    http://amzn.to/25lUOYM
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Confession: I enjoy writing query letters. I know that most writers loathe them, but I always thought the query letter was a fun challenge. The challenge of trying to distil your novel down to its essence, giving just enough information to draw the agent or editor into the story, but without giving away so much that the manuscript loses all sense of mystery.

However, I feel quite differently about the second-most dreaded item of many submission packages: the Synopsis.

The book synopsis is that three- or four-page snapshot of the book, that essentially tells your story from beginning to end while seemingly stripping it of any intrigue, humor, or emotional resonance. To me, writing a synopsis that could leave a reader still wanting to read the actual manuscript always seemed like a much bigger challenge than the query letter.

Unfortunately, it turns out that getting published does not necessarily mean we don’t ever have to write a synopsis again.

Last January, when it came time to my agent and me to start talking with my publisher about My Next Book (which was the Super Secret Project I wrote during NaNoWriMo last November), the submission package we pulled together was remarkably similar to the package we’d used to sell the Lunar Chronicles:

– A pitch letter (similar to a query), illustrating the concept and major conflict of the book.

– The first 50 pages, edited and polished to a glowy sheen.

– The synopsis of the book (although some plot points are subject to change).

So rather than whine and complain about how much I hate writing synopses, I decided to take the opportunity to embrace the synopsis writing challenge, and figure out a process for writing the synopsis that didn’t seem quite so painful and intimidating and, in the end, left me with something I was pleased to show my editor.

I’m not allowed to really talk about my new project,* so I’m going to use examples from the synopsis I wrote for CINDER way back when.

Step 0: Write the book!

If the book isn’t written yet, I feel like you’re writing an outline, not a synopsis, and I’ve talked about outline writing at length in previous blog posts. For the purpose of this synopsis-specific guide, let’s assume you have the book drafted out, or even completed.

Step 1: Skim through the manuscript, noting the important events of each chapter.

Try to boil every chapter down to just one or two sentences. What is the point of this chapter? What is the most important thing that happens?

Some chapters will be significantly longer than a sentence or two, particularly the opening chapters (as they tend to introduce a lot of information about the world and the main characters) and the climax (which could revolve around lots of complicated reveals and twists).

And yes, include the ending! From who wins the final battle to whether or not the protagonist hooks up with the love interest in the end. One of the main purposes of a synopsis is to show the full arcs of your plot and subplots, so don’t leave out those all-important resolutions.

Step 2. Embellish the beginning.

Just because you can’t use pages and pages to set up the world and protagonist’s character in the synopsis doesn’t mean you shouldn’t give the reader a little bit of foundation to stand on. The first paragraph of the synopsis should give the same basic information you convey through the book’s first chapter: where and when does this story take place, who is the protagonist, and what problem are they facing right off the bat?

xample: LINH CINDER is a cyborg, considered little more than a technological mistake by most of the society and a burden by her stepmother, ADRI. But her brain-machine interface has given her a unique skill with mechanics, making her, at sixteen, the best mechanic in New Beijing.

Step 3: String your short chapter summaries together, using standard synopsis formatting.

Here, it will begin to look like a story, but an incredibly sparse and drab one. Don’t worry about that. Just focus on getting all the technical formatting stuff figured out, so you don’t have to re-write it all at the end.

Standard Synopsis Formatting

– Written in third person, present tense, regardless of what POV or tense the book is written in.

– The first mention of each character’s name is put in all-caps (so that they can be easily spotted).

Example: When she arrives home, she discovers her two stepsisters—arrogant PEARL and vivacious PEONY—being fitted in ball gowns.

Step 4: Read through, with a focus on plot.

Distilling each chapter down into just a sentence or two can lead to lots of apparent plot holes and lost information. Read through what you’ve written and check that every event in the story naturally leads into the next. Imagine beginning each sentence with a Because / Then structure, and insert further explanation or character motivations as necessary.

Example: Cinder is worried that if she doesn’t fix the hover, Adri will sell off IKO to pay for the repairs herself. That night, Cinder goes to the junkyard to find replacement parts…

(Could be read as: Because Cinder is worried . . . then she goes to the junkyard…)

Step 5. Read through, with a focus on character arc.

Now that the plot makes sense from beginning to end check that you’re adequately showing how your protagonist evolves as a result of the events in the story. Do readers get a sense of who they are at the beginning and how they’ve changed by the end? Look for those Big Moments in the story that change your protagonist’s attitudes and goals. Indicate how those moments effect the protagonist emotionally, and show how their goals and motivations change as a result.

 

Example: Without Iko and Peony keeping her tied to Adri, Cinder vows to fix up the abandoned car she saw in the junkyard and run away.

 

Step 6. Trim and edit.

Now that you have all the necessary information read through a few more times and trim it up as much as you can. Be ruthless when it comes to removing excess words and phrases that don’t help you tell the story. Choose your descriptive words carefully, ensuring that you’re using words that carry a lot of weight. My book synopses for CINDER and New Secret Project both came in around the 1,500-2,000 word range, and that’s not a lot of room to work with! So edit, edit, edit.

I’m Having a Celebration

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Princess Adeles Dragon3It’s done and finally gone live on Amazon.  My new ebook Princess Adele’s Dragon. It has taken me a little over a year to get it completed. If you like fantasy and Gothic times you will like this book.

Princess Adele sets out to save her and her brothers Kingdom from a beast that threatens their way of life. What she encounters is totally unexpected and sets her on a new path. If you like gothic times with Kings, Princess’s, Castles and bad guys then you will like this young adult fantasy. You will fall in love, hate the bad guy and fight a war.

There is a read inside option on Amazon. Click on this link and it will take you right to it.

http://amzn.to/25lUOYM    If your Kindle Unlimited you may read it for free. Be sure and leave a review even if you didn’t like it, but I know you will 🙂

Have a totally blessed day and let me know what you think.

Shirley

The Right Decision (I Hope)

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Hello everyone and happy Sunday. I’ve been busy this morning trying to write my Amazon description for Princess Adele’s Dragon. It’s not the easiest thing to do.
 
I also made a decision today. I’m going to rewrite and retitle The Tower. That was the first book I wrote back in 2010. I can’t believe what a terrible job I did. It’s a great story but it’s poorly written. The nice thing is I can actually go back and read it and pick out all the mistakes.
I’m not kicking myself around because I like to.  It’s nice some people can put out their first book and it be wonderful from the start. Unfortunately, I wasn’t one of those people. When I first wrote the book I made the statement about what a learning experience it was from beginning to end. The nice thing is I can now look back on it and continue to say it was/is a learning experience.
When I was writing The Tower, I think I fell into every pit other others said to be careful about. I was one of those people that I knew what they said but apparently I didn’t know what I was looking at. With practice, the writing skill grows and I’m happy to say mine did.
I’ve learned over time that people are not always honest with you about your work. It does great things for your ego when someone says they read your story and it’s absolutely wonderful. It’s what they think you want to hear and apparently it is.
I can’t tell a soul bought the book from Amazon or if they did they kept it a big secret. Now you know why I made the decision. I want to put out a better product and I would like to sell some copies.  Am I making the right decision?Thumbs up

My Introspection

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Princess Adeles Dragon3I am in the final stages before I launch my new ebook on Amazon. It is a Young Adult Fantasy called Princess Adele’s Dragon. Based in Medieval times with Kings, Knights, Castles, Witches and a myriad of other things to make this a fun and intriguing book.
 
I’ve worked on this book since March of 2015. It’s hard to believe next month will be a year. Most hours of my day were spent thinking about some aspect of my book. How was Adele going to deal with the day, Prince Anthony or even the bad guys?
 
Book writing is fun for me. I like getting wrapped up in the stories. I do the same when I’m reading a book if I like it. Since I’m an eclectic reader and writer, I never know what world I’m going to be spending my time.
 
I’m learning new things every day which is a wonderful thing for me. It keeps my mind active. If I didn’t keep my mind active, I would be useless to myself. My learning has added to my guilt when I write. I see the passive voice in my sleep or that voice that says you can write that line better. So many rules but at the same time, nothing is written in stone. A lot of standards change with the wind or who’s writing.
 
When you write, the bottom line is “does it fit you, the author?” Everyone has an opinion and most of the time they are different. That in itself can be confusing, but if you hang on and keep trudging forward you will end up with work that is yours alone. Notwithstanding the help, you received from reading, researching a topic or any other avenue you use.
 
I must be needing to share my introspection today on the almost completion of my book. It’s a fantastic feeling knowing I only have a few little things left to do before my work can be published. The beautiful thing is that it has nothing to do with selling. It has to do with completing the task I set out to do, the best way I know how.
 

7 Tools For Pacing A Novel

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PACEPacing is a crucial component of fiction writing. After all, it’s important to keep your readers “hooked” throughout your story. Whether you are just getting started in writing or looking to break into fiction writing, you’ll need to know the basics of how to pace a novel. Read today’s tip of the day from Crafting Novels & Short Stories. In this excerpt written by Jessica Page Morrell, she explains what pacing is and seven ways to keep your story moving at the right pace.

What is Pacing in Fiction?

Pacing is a tool that controls the speed and rhythm at which a story is told, and the readers are pulled through the events. It refers to how fast or slow events in a piece unfold and how much time elapses in a scene or story. Pacing can also be used to show characters aging and the effects of time on story events.

Pacing differs with the specific needs of a story. A far-reaching epic will often be told at a leisurely pace though it will speed up from time to time during the most intense events. A short story or adventure novel might quickly jump into action and deliver drama.

Pacing is part structural choices and part word choices and uses a variety of devices to control how fast the story unfolds. When driving a manual transmission car, you choose the most effective gear needed for driving uphill, maneuvering city streets, or cruising down a freeway. Similarly, when pacing your story, you need to choose the devices that move each scene along at the right speed.

Seven Literary Devices for Pacing Your Story

You need speed in the opening, middle, and climax of your story. Sure, you’ll slowdown from time to time, especially to pause for significance and to express characters’ emotions, but those times will usually appear just before or after a joyride of skin-tightening speed.

There are lots of tools to hasten your story. Some are better suited for micropacing—that is, line by line—and some are better suited for macropacing—pacing the story as a whole. Let’s take a closer look at each device.

ACTION. Action scenes are where you “show” what happens in a story, and, when written in short- and medium-length sentences, they move the story along. Action scenes contain few distractions, little description, and limited transitions. Omit or limit character thoughts, especially in the midst of danger or crisis, since during a crisis people focus solely on survival. To create poignancy, forgo long, descriptive passages and choose a few details that serve as emotionally charged props instead.

CLIFF HANGERS. When the outcome of a scene or chapter is left hanging, the pace naturally picks up because the reader will turn the page to find out what happens next. Readers both love and hate uncertainty, and your job is to deliver plenty of unfinished actions, unfilled needs, and interruptions. Remember, cliffhangers don’t necessarily mean that you’re literally dangling your character from a rooftop as the scene ends. If your characters are in the midst of a conversation, end the scene with a revelation, threat, or challenge.

DIALOGUE. Rapid-fire dialogue with little or no extraneous information is swift and captivating, and will invigorate any scene. The best dialogue for velocity is pared down, an abbreviated copy of a real-life conversation that snaps and crackles with tension. It is more like the volleying of Ping-Pong or tennis than a long-winded discussion. Reactions, descriptions, and attributions are minimal. Don’t create dialogue exchanges where your characters discuss or ponder. Instead, allow them to argue, confront, or engage in a power struggle.

PROLONGED OUTCOMES. Suspense and, by extension, forward movement are created when you prolong outcomes. While it may seem that prolonging an event would slow down a story, this technique actually increases the speed, because the reader wants to know if your character is rescued from the mountainside, if the vaccine will arrive before the outbreak decimates the village, or if the detective will solve the case before the killer strikes again.

SCENE CUTS. Also called a jump cut, a scene cut moves the story to a new location and assumes the reader can follow without an explanation of the location change. The purpose is to accelerate the story, and the characters in the new scene don’t necessarily need to be the characters in the previous scene.

A SERIES OF INCIDENTS IN RAPID SUCCESSION. Another means of speeding up your story is to create events that happen immediately one after another. Such events are presented with minimal or no transitions, leaping via scene cuts from scene to scene and place to place.

SHORT CHAPTERS AND SCENES. Short segments are easily digested and end quickly. Since they portray a complete action, the reader passes through them quickly, as opposed to being bogged down by complex actions and descriptions.

SUMMARY. Instead of a play-by-play approach, tell readers what has already happened. Because scenes are immediate and sensory, they require many words to depict. Summary is a way of trimming your word count and reserving scenes for the major events. You can also summarize whole eras, descriptions, and backstory. Summaries work well when time passes, but there is little to report, when an action is repeated or when a significant amount of time has passed.

WORD CHOICE AND SENTENCE STRUCTURE. The language itself is the subtlest means of pacing. Think concrete words (like Prodigy and iceberg), active voice (with potent verbs like zigzag and plunder), and sensory information that’s artfully embedded. If you write long, involved paragraphs, try breaking them up.

Fragments, spare sentences, and short paragraphs quicken the pace. Crisp, punchy verbs, especially those with onomatopoeia (crash, lunge, sweep, scatter, ram, scavenge) also add to a quick pace. Invest in suggestive verbs to enliven descriptions, build action scenes and milk suspense.

Harsh consonant sounds such as those in words like claws, crash, kill, quake, and nag can push the reader ahead. Words with unpleasant associations can also ratchet up the speed: hiss, grunt, slither, smarmy, venomous, slaver, and wince. Energetic, active language is especially appropriate for building action scenes and suspense, and for setting up drama and conflict.

A fast pace means trimming every sentence of unnecessary words. Eliminate prepositional phrases where you don’t need them: For example, “the walls of the cathedral” can be written as “the cathedral’s walls.” Finally, search your story for passive linking verbs and trade them in for active ones.

By: Courtney Carpenter

Writer’s Digest

Let Me Introduce

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Hello, everyone. Today it’s my great pleasure to introduce to you a fellow writer from Rave Review Book Club, Gordon Bickerstaff. We are both members of this great club and today he is their “Spotlight Author”. It’s my privilege to be part of his Blog tour. He is introducing you to his main characters and providing you with a short synopsis of his book.  Enjoy

The Black Fox cover

Gavin Shawlens and Zoe Tampsin – DoomWatchers

 

Who is Gavin Shawlens?

Gavin Shawlens is an academic in his mid-thirties. He’s not a fitness freak but he keeps trim with occasional visits to the university judo club and jogging up the three flights of stairs to his top-floor flat. He has a thick mop of hair has a light straw colour in summer that darkens in winter. He is single, and has had on/off relationships, but he’s haunted by a previous relationship that ended badly.

He has a secret part-time job. Gavin has gained a great deal of experience over the past six years on a number of major investigations for the Lambeth Group. In fact, Gavin has a UK security clearance of Top Secret Level D, which means he has knowledge of the highest category of official state secrets. He knows where some of the nastiest Government skeletons are buried. He’d been present at the burial of two of them.

Who is Zoe Tampsin?

Zoe Tampsin, Senior Field Officer with the Security Service. On temporary secondment to the Lambeth Group. Based here in London,  Zoe is five-eight, slender, athletic-looking, intelligent and ambitious. The forty-three-year-old ex-army captain had joined the OTC at her university and went on to receive the coveted Sword of Honour at Sandhurst as the best officer cadet.

Captain Tampsin had served with the SAS in Bosnia and more recently on Special Forces operations for MI5 and MI6 at home and abroad. Her CO wrote about her – Zoe Tampsin protects her troop like a lioness protecting her cubs, powerful, determined, and completely ruthless.

Zoe had proved herself in combat, and she was accepted as combat hardened. She was powerful in dealing with the stress of imminent danger, and her concentration over long periods was second to none. Many times her troop had faced the white of the opposition’s eyes, and she had led them through hell and back.

Zoe had smashed the hardest glass ceiling, and showed the pencil generals the unique skill set that women have to offer, in the multi-dimensional fight against 21st century terrorism. She formed and led a special operations unit of women, W Troop. Still a small attachment, compared to the number of men in Special Forces, but against a strict background of no drop in standards, her select group of female troopers had proved themselves worthy of the badge.

Who are the Lambeth Group?

The Lambeth Group is a covert organisation formed when a group of twenty-six university vice-chancellors from elite universities met secretly with Home Office mandarins at the Imperial War Museum, Lambeth Road, London. After prolonged discussion, they agreed on the need for a doomwatch strategy to discover and manage research and technology disasters that can happen when top researchers push past the boundaries farther and faster than they should.

Working with CPNI (Centre for Protection of National Infrastructure) a branch of MI5, and the Home Office, the Lambeth Group had successfully prevented the most damaging university and private research disasters from becoming public knowledge.

The Black Fox

Synopsis

 Zoe Tampsin is resourceful, smart and Special Forces-trained, but she has been given an impossible mission. She has to protect scientist, Gavin Shawlens, from assassination by the CIA, and discover the secret trapped in Gavin’s mind  the CIA want destroyed.

As the pressure to find Shawlens escalates – the CIA send Zoe’s former mentor to track her down, and her fate seems sealed when he surrounds Zoe and Gavin with a ring of steel. With each hour that passes, the ring is tightened, and the window for discovering Gavin’s secret will shut.

Zoe is faced with a decision that goes against all of her survival instincts. If she is wrong – they both die. If she is right – she will discover the secret, and become the next target for assassination. Run for your life…

 

Buy Gordon Bickerstaff’s Books

Amazon-UK

Amazon-USA

Follow Gordon Bickerstaff here:

Website: http://goo.gl/2in8SX

Twitter handle: @ADPase

 

This is Blatant Advertising

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How do you feel about authors advertising their books any and everywhere they can? I am one of those people. I’m an author, and I try to take advantage of every opportunity I come across to tell someone about my books.

Even if I am an author, I get tired sometimes of seeing so many ads on Facebook and Twitter, which is certainly two-faced of me. I can’t have it both ways. There’s one side of me that wants to see things I can read about a fascinating subject not another “look at my book, see me.”
Since I’ve said how I feel, let me share the link to my latest book with you and also offer tips on how to possibly market a book. Here’s my link. Have a look and if you would like to do an Amazon review, I will send you one free for an honest review.  http://amzn.to/1Xogylz

Here are some book marketing tips taken from an article on Author Media by Caitlin Muir.
89+ Book Marketing Ideas That Will…
Increase your web presence:
Create a testimonial page on your website
Add the free My Book Progress plugin to your WordPress website to update your visitors about the status of your upcoming book.
Retweak the SEO on your site
Ask fans to post their reviews on your Facebook page
Ask fans to post their reviews on Amazon
Ask fans to post their reviews on Goodreads
Sign up for Twitter
Clean up your social footprint
Create an author FB page and use it instead of your profile
Sign up for Google Authorship
Offer bloggers advanced reading copies
Go on an online book tour
Create a book launch team
Host Q+A sessions on Google+
Create Facebook Friday videos
Register as an author on Amazon
Register as an author on Goodreads
Create a book trailer
Add the free My Book Table plugin to your WordPress website to boost book sales.
Create a hashtag for your next book
Build your fan base:
Start an FB campaign to increase your fans
Start a Google Campaign to increase traffic to your site
Start a controversial web series
Link up with other writers for your controversial web series
Start weekly Twitter chats with readers
Keyword your blog posts
Create a monthly newsletter
Create an affiliate program
Host-guest bloggers
Become a guest blogger
Create business cards with your web address on them and hand them out
Put your photo on your business card for stronger branding
Start commenting on other blogs (early and often)
Host regular author hangouts on Google+
Host regular author interviews on Google+
Record your Google+ hangouts and put them on YouTube
Get social media coaching
Cultivate Community:
Create an online community with a forum
Say thank you to readers with special incentives for being a fan
Ask your reading community to design merchandise for your store
Create a fan page for your main character (works well if they are in a series)
Ask fans to create their own book trailers and post them online
Offer core fans advanced copy of future books
Ask fans to post pictures of “character spottings.”
Offer “extra features” on your website
Use Twitter hashtags
Poll your readers and listen to what they say
Answer all your blog comments
Engage with your fans on FB
Ask your fans to post pictures of them reading your book
Make some extra money:
Repackage old blog posts and sell them as an e-book
Join an affiliate program
Speak on the core topic of your book
Become a content writer
Host paid webinars
Freelance with niche magazines
Sell ads on your website
Sell ads in your newsletter
Write a new ebook tailored to your fans
Mentor another writer
Become an Amazon Affiliate (and use MyBookTable)
Offer customizable ebooks for readers
Sell your book on your site, not just Amazon
Tweetables:
The @AuthorMedia crew just gave me 89 free book marketing ideas. Watch out the world! – click to tweet.
My sales should spike soon. I’m going to try out some of the book marketing suggestions from @AuthorMedia. – click to tweet.
89 Book Marketing Ideas That Will Change Your Life. Try one today! – click to tweet.
Have you tried any of these marketing tips from @AuthorMedia? They look great! – click to tweet.
Dang. I needed book marketing ideas, and I found 89 of them via @AuthorMedia. – click to tweet.
If you write books, you should look at this list ASAP. Unless you are my competitor. – click to tweet.
Need some book marketing ideas? One of these ideas should do the trick! – click to tweet.
Build your brand offline
Write a Press Release
Ask to be interviewed by your local paper
Ask to be interviewed by the paper your book is set in
Ask to be interviewed by the local radio host
Ask to be interviewed on the local morning show (read this article first)
Partner with a band that has the same cause as you
Go on a physical book tour
Start thinking local
Sell themed merchandise (Think “Team Edward” shirts)
Rent a billboard
Host a book release party
Link with an activity that supports your cause and sell your book there
Create a viral video about a scene from your book
Find a Place To Give a Book Reading:
Your local coffee shop
A hospital
A retirement community
A rehabilitation center
A local church
A locally owned bookstore
The library (try the five closest to your house)
The local community college
A school
Wherever the main setting of your book is
Google+
Videos you upload to Facebook
Goodreads
Discover where to donate your book (and make new fans):
Women’s shelters
VA hospitals
Homeless shelters
Children’s hospitals
Retirement homes
The five closest libraries to your house
The library in your hometown
Summer camp
Community libraries at coffee shops
The local community college library
The libraries in the town where the book was set in
BookCrossing.com
Local B&B’s
Local motels
Prisons
Church libraries
Rehab centers
Cruise ship libraries
Doctor’s offices
Community centers
Senior Centers
Become an expert:
Listen to the Novel Marketing Podcast.
Get active on LinkedIn
Write Op-Ed pieces on the core message of your story
Write freelance pieces on the core message of your story and pitch to niche publications
Give lectures on the core message of your story
Host webinars with other experts
Create a series of web-videos interviewing experts on the core message of your story
Make sure your author about me page is interesting and relevant
Create a Meetup group
Have any book marketing tips you’d like to add to the list? Leave them in the comment section.

Determining What to Write About

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One of the first and most important decisions for every writer is determining what to write about. Making this decision can feel overwhelming often because of long-held notions we have about what it means to be a writer. Many people believe that authors just have ideas that come to them or, worse yet, that authors are so intelligent that they are able to create something unique that has never been seen or thought of before.

In reality, neither scenario is entirely true. Most of the time, authors decide what to write about from examining their personal lives and interests or by examining the work of other authors and making parts of existing material into something new and different.

Writing about things you know and care about is important for several reasons. For one, it usually makes writing much easier: if you are writing from personal experiences, you can spend more energy on adding creative twists to a story that already exists.

Second, if you are writing about something you care about, you usually have a deeper sense of the subject and will have more information from which to write. Choosing topics or experiences that you care about will develop a sense of “you” which only you can create.

Here are some strategies for coming up with ideas for writing:

Make lists of topics or things that you are interested in—hobbies, issues, things, places

Draw a floor plan of your home and make a list of three memorable events that happened in each room

Make a list of problems that you have seen characters face in movies, TV shows, or books, and use one as the basis for your own story

Make a list of your most memorable experiences and determine which might be the basis for a piece of writing

Maintain a personal journal and collect thoughts and descriptions that might be used as the basis for a piece of writing

Think about “small moments” of life to expand and explore rather than creating large, involved stories Read and re-read the authors that you are fond of.

Look for places where you can pick up where they left off or think of how the story could be retold from a different character’s perspective

Take elements from an existing storyline from a book, movie, or play and work your own real-life or past experiences in to create a new story

Make a list of your favorite movies or books and look for patterns in the storylines or look for storylines that can be combined or changed

Read, read, read—all great authors are readers who constantly look for ideas from other authors For more information:

Developing Ideas for Writing (Prewriting): http://www.esc.edu/ESConline/Across_ESC/WritersComplex.nsf/3CC42A422514347A8525671D00 49F395/CE2B510E7D9975AE852569C3006ACCCC?OpenDocument

Originally published by NCTE (National Council Teachers of English) Date unknown